The sisters also acquired paintings by Pablo Picasso, including Mother and Child (1922), and seminal prints and drawings from the artist’s early years in Barcelona to his Rose period in Paris (1905–1906.)ĭuring their extensive travels, the Cone sisters also purchased important works by American artists more than 1,000 prints and drawings and illustrated books a large group of textiles jewelry, furniture, and other decorative arts African art, Japanese prints and antique ivories and bronzes.Ĭompetition among museums for The Cone Collection began as early as 1940, but Claribel insisted that it go to The Baltimore Museum of Art if “the spirit of appreciation for modern art in Baltimore became improved.” Thus achieved, the collection came to the BMA upon Etta Cone’s death in 1949, and has been on view in the BMA’s Cone Wing since 1957. 1897), Paul Gauguin’s Vahine no te vi (Woman of the Mango) (1892), and Marie Laurencin’s A Group of Artists (1908). To this incredible group of objects, the BMA has added more than 600 works by Matisse over the years, many of them from the artist’s family.Īmassing more than 3,000 objects, the Cone sisters developed their collection to include such masterworks as Matisse’s iconic Blue Nude (1907) and Large Reclining Nude (1935), Paul Cézanne’s Mont Sainte-Victoire Seen from the Bibémus Quarry (c. The vision and philanthropy of Baltimore sisters Claribel and Etta Cone established the BMA’s internationally renowned collection of works by French artist Henri Matisse.Īmong the highlights of the Cone Collection are more than 600 works by Matisse-considered one of the greatest artists of the 20th century-including paintings, sculptures, drawings, prints, and illustrated books.
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